The figure of the rooster appears as an anecdotal ritual, enveloped in a convulsion of colors that heighten both emotion and symbolic charge, set in deliberate contrast with the raw canvas that serves as its ground.
A Bull’s Heart (2025) - Luis Moscoso
From the earliest mythical narratives, humankind has turned to the apocryphal presence of beasts, setting them in contrast to its own image of redeemer. In the myth of the Minotaur, the creature inhabits the labyrinth, a metaphor of darkness and the uncontainable. In every case, man does not confront a mere animal: he faces a force that exceeds the human, a manifestation of the sacred.
Yet what in antiquity was hierophany—a ritual sacrifice that bound man to the divine—has in modernity become spectacle. Bullfighting crystallizes this transformation: from rite to entertainment, from liturgy to the aesthetics of cruelty. Read more
- Silvio Moscoso
The Cardboard Steed (2025)
Luis Moscoso decomposes and reconstructs the figure of the horse using scraps of cardboard, a humble material that, under his vision, becomes a symbol of strength and freedom.
The sculpture reflects the duality between form and its rupture, between structure and its decomposition, inviting the spectator to reflect on the impermanent nature of matter and the permanence of the spirit.
This piece is not just an artistic representation; it is a statement about the ability of art to transcend materials and forms, and about the unique approach of an artist who sees in the quotidian the possibility of the sublime.
Throughout Luis Moscoso’s career, the horse has been more than a subject: it has been an emblem, a companion, and a symbol of the eternal struggle for freedom. We invite you to read an special article about horses and the impact of these noble creatures in Luis Moscoso’s life. “A gaze into the world of horses” is now available at our Journal.
New Series
El Grito
"The Scream" by Luis Moscoso is a brutal descent into the depths of the human soul. In this series, the artist tears apart the image of the self down to its rawest essence: mouths wide open in a scream that is not only heard but felt on the skin. Using a mixed technique dominated by ochres, browns, and purples, Moscoso confronts us with despair, the rupture of existence, and the fragility of our own sanity. Like Bacon, Munch, and Guayasamín, this is not about portraits but about stripped-down emotions. The Scream is not just a work of art; it is an echo that forces us to look within.
“Moscoso, with the precision of a surgeon of the soul, extracts the deepest wound of the human condition: the fear of being swallowed by our own existence.”
— From “El Grito” (The Scream) by Luis Moscoso: The Echo of Our Primitive Anguish, by Silvio Moscoso.
Books & Magazines
We are excited to announce the upcoming launch of our "Books and Magazines" section, featuring three exclusive art books. Stay tuned for more details as we will be revealing the release dates soon. These carefully curated books will offer a deeper look into the world of art and provide inspiration for art enthusiasts everywhere. Keep an eye out for updates!
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